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CINEPHILE 14.1?— Audiences and Paratexts Deadline for draft submissions: September 15th, 2019 Following popular applition of Gérard Genette’s literary term “paratexts” to film, paratexts here signifies those peripheral items emerging from and encircling a...
We are very excited to share the latest issue of Cinephile, “Low Culture and Mass Media: Narratives of the Mainstream,” featuring contributions from Scott MacKenzie, Kate Egan, Michael Crandol, Elieen Totter, Devlin Grimm, and...
Cinephile?13.1 – Low Culture and Mass Media: Narratives of the Mainstream Deadline for draft submissions: September 10th, 2018 As the field of film studies has developed, scholars have considered the influence of popular culture...
We are very excited to share the latest issue of Cinephile, “Philosophy and New Media,” featuring contributions from Martine Beugnet, Jane Stadler, Tarja Laine, David Deamer, Dilyana Mincheva, David Evan Richard, Jenny Gunn, and...
Cinephile?12.1 – Philosophy and New Media Deadline for draft submissions: September 5th, 2017 Over the past two dedes, new media forms have proliferated and become ubiquitous. Similarly, since the mid-1990s, philosophy has asserted its...
Cinephile 11.3, “Adaptations, Translations, Permutations,” is now available online! This issue focuses on issues of new media, ranging from true crime TV to video games, making it one of our most topil and poignant...
Cinephile?11.3-?Adaptation, Translation, Permutation? Adapting and translating works across media platforms and national borders has long been an integral part of cinema, television, and other screen media. Source narratives n be transformed into entirely new...
Cinephile 11.2, “Stardom,” is now available! Marking the tenth anniversary of the University of British Columbia’s Film Journal, this issue features articles by Kathy Fuller-Seeley, Emily rman, Zeke Saber, Kate Saccone, Linda C. Riedmann,...
Deadline for submissions: September 11, 2015. Since the silent era, film industries have utilized the appeal of stars to advertise and promote films. The success of this model is due in part to their...
Cinephile 11.1, “Visions of the Sixties,” is now available! Marking the tenth anniversary of the University of British Columbia’s Film Journal, this issue features articles by Wheeler Winston Dixon, David E. James, Victoria Kennedy,...
Cinephile 10.2, “New Queer Theory in Film,” is now available online for free.?Click here?to download now?as a single PDF file or, alternatively, head over to our?archives?page to view this issue and all our previous...
Deadline for draft submissions: March 6, 2015. The Sixties was a period of radil change, revolution, and major politil and social upheaval. Following Arthur Marwick’s definition of the period as one that extends from...
Cinephile 9.2, The Superhero Film, and Cinephile 10.1, Music in Documentary, are now available online for free. Available for download as a PDF. Each issue is an individual file.
Cinephile 10.2, “New Queer Theory in Film,” is now available! 10.2 features original articles by Lee Edelman, Shi-Yan Chao, Derrick King, Allison Macleod, and Mario Obando Jr. Available at selected retailers in Vancouver or,...
Cinephile 10.1, “Music in Documentary,” is now available! 10.1 features articles by Michael Brendan Baker, Maurice Charland, Rebec Coyle &?Philip Hayward, Randolph Jordan, and Robynn J. Stilwell, as well as original artwork by Nova...
Deadline for draft submissions:?September 5, 2014 The emergence of queer theory from the fields of post-structuralism and feminism in the 1990s sought to destabilize identity and its attendant heteronormative and cisgendered ideologil constructions. Grounded...
